A hundred or more guitars hung high on the wall like a choir holding a silent note in unison, mouths forming perfect O’s as if waiting for a nameless conductor to snuff the note with a tight fist. Of all the guitars displayed, I really only saw one: a Washburn acoustic, stained a dark greenish-blue, nearly aquamarine; colors I would one day recognize in the deepest shores of Puerto Rico at high noon. The guitar was oceanic in its own way, emitting a rich, lingering tone from within, like the low, throaty moans of deep-sea geologic forces.

We’re in a brightly-lit church, and Dad is holding me while I struggle against him, while I struggle to breathe, while I struggle to scream because the ceiling is too high, and I was only recently acquainted with the world through the low, clear dome of an incubator upon which Dad used to tap his heavy index finger to the rhythm of “You’re. Gonna. Live. You’re Gonna Live.”